Selected texts published in catalogues
– “Immagine, interpretazione e referenza” (Image, interpretation and reference), introducing essay to the exhibition, Comune di Fusignano, 1985.
– “Paesaggi dal vero” (Real Landscapes), introducing essay to the photography exhibition, Fusignano, Il Granaio, aprile 1986.
– “Repliche formali di luce” (Formal Light’s Re-runs), in AAVV, Olografia. Arte e scienza in URSS, (Holography. Art and Science in USSR) Bologna, Alpha Beta, 1987. Catalogue of the homonymous exhibition organized by URSS Academy of Science and included in the celebrations held for the 9th Centenary of the University of Bologna. Opening essay.
– “Introduzione” (Introduction), in AAVV, Provenienze Prossime (Next Comings), Fusignano, Il Granaio, 1988, catalogue of the homonymous exhibition.
– “Nèmesi” (Nemesis), in AAVV, Lorenzo il Magnifico, Ravenna, Essegi, 1988, catalogue of the homonymous exhibition. Essay republished in AAVV, Plastiche disgiunzioni (Plastic disgiunctions), Ravenna, Essegi, 1989.
– “Memorie del futuro” (Memories of the future), in Andrea Tampieri, Cotignola, Comune di Cotignola, 1991, critic introduction to the catalogue of the artist’s personal exhibition.
– “Territori metaforici dell’introspezione” (Metaphorical territories of the introspection), in AAVV, Il cacciatore bianco (The white hunter), Padova, 1991, critic introduction to the catalogue of the personal exhibition of the artist Malek Pansera. Essay republished on the contemporary art magazine Next, september 1991.
– “Sculture dell’alterità, luoghi possibili del Mito e dell’Archè” (Alterity sculptures, possible realms of Mith and Archè), in AAVV, Scardovi. Sculture 1987-1991 (Scardovi. Sculptures 1987-1991), Cotignola, Comune di Cotignola, 1991, critic introduction to the catalogue of the artist’s personal exhibition.
– “Architetture d’ombra” (Shadow Architectures), critic introduction to the catalogue of the personal exhibition of the artist Annamaria Polidori, Bologna, Galleria L’Ariete, maggio 1992.
– “Arte contemporanea, sinestesie e polisensorialità” (Contemporary Art, sinesthesiae and multisensoriality), in AAVV, II Biennale d’Arte, Musica e Poesia. Corrispondenze del sensibile (II Biennal of Art, Music and Poetry. Correspondences of the sensible), Ravenna, Essegi, 1992, catalogue of the homonymous exhibition.
– “Idoli, congetture e metafore” (Idols, conjectures and metaphors), in Pietro Bonfiglioli (edit by), L’arte contemporanea a Bologna. I° Biennale (Contemporary art in Bologna. I° Biennale), Bologna, 1993, catalogue of the exhibition. Ripublished in the catalogue of the artist’s personal exhibition, International Line, Basilicanova, 28/10-19/11 1995.
– “Inframondi”, in AAVV, Cybernauti: un mondo rovesciato (Cybernauts: a reversed World), Bologna, Lo Specchio di Dioniso, 1993, catalogue of the homonymous event. Opening essay.
– “Riflessioni e apparenze” (Reflections and appearances), critic introduction to Mutazioni (Mutations), Bologna, Galleria Il Campo delle Fragole, 1993, catalogue of the homonymous exhibition.
– Pier Luigi Capucci (edit by), La natura virtuale (The virtual nature), Modena, Festa Provinciale de l’Unità, 1993, catalogue of the homonymous exhibition.
– “Il giardino della creatività” (The garden of creativity), in Marco Ancarani (edit by), Le voci dell’occhio. Il giardino delle Arti (The eye’s voices. The garden of the arts), Faenza, Edit, 1994.
– “Paolo Serra. Decisione della forma e evoluzione della materia. Dietro le apparenze dell’evidenza” (Paolo Serra. Decision of the form and evolution of the matter), in AAVV, Paolo Serra, Basel, Galerie Triebold, 1994.
– Pier Luigi Capucci (edit by), La Natura virtuale II. Telepresenze e telecomunità (The virtual Nature II. Telepresence and telecommunities), Modena, PDS, 1994.
– “Prima della caduta” (Before the fall), in Malek Pansera. Tracce: archeologie e sentieri (Malek Pansera. Traces: archaeologies and paths), critic introduction to the catalogue of the personal exhibition of the artist, Refrontolo, dicembre 1994.
– “Arte dell’attualità” (Art of the present time), in Paul Donker, Willelm Sanders (edit by), aa, Arnhem, Atelier Arnhem, 1995 (catalogue of the homonymous exhibition).
– “Lo spazio telematico” (The telematic Space), in Manuela Collina, Mara Montanari (edit by), Cybernauti. Utopie della città; la città virtuale (Cybernauts. Utopia of virtual City), Bologna, Le Macchine Celibi, 1995. Catalogue of the homonymous happening.
– “Arte della comunicazione” (Art of communications), in AAVV, Interartactivity. Ron Arad, Peter Gabriel, Ale Guzzetti, Milano, Tribeca Art Gallery, 1995 (catalogue of the homonymous exhibition).
– “Arte del mondo” (Art of the World), in Pier Luigi Capucci, Stefano Righetti (edit by), La montagna Dis-incantata (The dis-enchanted mountain), Bologna, Ed. dell’Ortica, 1995 (catalogue of the homonymous exhibition).
– “Arte e tecnoscienze. Riflessioni teoriche e tematiche” (Art and Technoscience. Theoric and Thematic Reflections) in Bruna Piras (edit by), ArsLab. I sensi del virtuale, Turin, Fabbri Editori, 1995. Catalogue of the homonymous exhibition.
– “Il discorso del mondo” (The discourse of the World), in AAVV, Ostaggi del tempo (Time hostages), Padova, Comune di Padova, 1995. Catalogue of the homonymous exhibition. Ripublished in Art in Italy, n. 8, 1996.
– “Arte contestuale” (Contextual art), in A. Cianciotta Mendizza, A. Ludovico, A. Marino (edit by), Virtual Light, Bari, Multilink, 1996. Catalogue of the homonymous exhibition.
– “Nuovi territori della creatività” (New territories of creativity), in Francesco Galluzzi, Stefano Righetti (edit by), Immaginario collettivo e nuovi linguaggi della comunicazione (Collective imaginery and new communication’s languages), Bologna, Edizioni dell’Ortica, 1996. Catalogue of the homonymous exhibition.
– “Piccoli universi che vivono” (Small living universes), in Pietro Bellasi, Francesco Paolo Campione (eds.), Viaggio con Swatch in piccoli mondi (A travel with Swatch in small worlds), Milan, Mazzotta, 1997. Catalogue of the homonymous exhibition.
– “Por uma arte do futuro” (For an art of the future), in Diana Domingues (edit by), A Arte no Século XXI. A Humanização das Tecnologias (Art in the XXI Century. The humanization of technologies), São Paulo, UNESP, 1997.
– “Forme di un altro reale” (Forms of another real), in AAVV, Scardovi, Monari. Solide impronte del tempo (Scardovi, Monari. Solid imprints of the time), Ravenna, Danilo Montanari Editore, 1998. Catalogue of the homonymous exhibition.
– “L’arte sensibile e i modelli del vivente” (The sensible art and the living’s models), in Andrea Tampieri, Massimo Casamenti (edit by), Ale Guzzetti, Cotignola, Comune di Cotignola, 2000. Text republished in Noema, online magazine, january 2001.
– “Gli Universali del Tempo” (The universals of time), in Andrea Tampieri, Massimo Casamenti (edit by), Scardovi. Mobili fissità (Scardovi. Mobile fixities), Cotignola, Comune di Cotignola, 2001.
– “Gli Universali della cultura” (The universals of culture), in Andrea Tampieri, Massimo Casamenti (edit by), Graziano Pompili. Gli Universali della cultura (Graziano Pompili. The Universals of Culture), Cotignola, Comune di Cotignola, 2002. Text republished in Marco Meneguzzo (ed.), Graziano Pompili, Ravenna, Danilo Montanari Editore, 2007.
– “Sull’arte esemplare di Andrea Tampieri” (On Andrea Tampieri’s exemplar art), in A.A.V.V., Andrea Tampieri. Prede del tempo (Andrea Tampieri. Preys of time), Lugo, Edizioni del Bradipo, 2003.
– “Le inquiete superfici del quotidiano” (The unquiet surfaces of everyday’s life), in Giorgio Segato (edit by), Malek Pansera. Le superfici in-quiete (Malek Pansera. The un-quiet surfaces), Palermo, Arkadhia, 2006.
– “Estensioni autonome e entità viventi espanse / Autonomous Extensions and Expanded Living Entities”, in S. Lodi, C. Garibaldi, L. Barbeni, M. De Caro (eds.), Piemonte Share Festival, Manufactoring, Turin, The Sharing, 2008.
– “Malek Pansera: verso l’essenza dell’arte e le radici della creatività” (Malek Pansera: Toward the Essence of Art and the Roots of Creativity), in Rossella Delaidini, Giorgio Segato (eds.), Malek Pansera. Percorsi e scoperte. Dal manuale al concettuale, Padua, Majority of Padua, 2010.
– “Congetture minime sullo spazio-tempo” (Minimal conjectures on space-time), in “ZeitRaum”, Ars Electronica Futurelab installation for the Vienna airport, in Ars Electronica FutureLab (ed.), ZeitRaum, e-book, http://www.aec.at/zeitraum/img/ZeitRaum_e- book_interaktiv.pdf, 2012.
– “Per un’arte dei sensi e del tatto” (For an art of the senses and of the touch), in Martina Coletti, Viola Lilith Russi, Valentina Tovaglia, Cristina Trivellin (eds.), MeltingPot. Cantiere creativo per la new media art, 2012.
– “Ferruccio Fabbri. I ricordi dei miei occhi” (Ferruccio Fabbri. Memories of my eyes), in Giovanna Donnarumma, Gennaro Ippolito (a cura di), Biennale del libro d’artista, Naples, Lineadarte Officina Creativa, 2017
– “Alcune considerazioni sul presente e sul futuro del Design / Some considerations about the present and future of design”
in ISIA Pescara Design, Premio Nazionale delle Arti. XV Edizione. Sezione Design (Italian/English), Pescara, ISIA Pescara Design, 2021.
[Last update: 03/09/2022]
