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Italiano [English below] Con un po’ di ritardo sono lieto di comunicare che su Noema è stata pubblicata la seconda parte del saggio che ho scritto su Eduardo Kac “The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes”. Questa seconda parte è un’intervista all’artista, che segue…
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Italiano [English below] Su Noema figura la prima parte del saggio che ho scritto su Eduardo Kac “The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes”, pubblicato, insieme a un’intervista all’artista, nel volume A. Sgamellotti, B. G. Brunetti, C. Miliani (eds.), Science and Art. The Contemporary…
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Italiano [English below] Onorato di avere partecipare alla presentazione internazionale del volume a cura di Antonio Sgamellotti, Giovanni Brunetti, Costanza Miliani, Science and Art: The Contemporary Painted Surface, Londra, Royal Society of Chemistry, 2020, parlando del mio saggio, “The Deep Meaning of Poetry: Eduardo Kac’s Art of the…
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Italiano [English below] È appena uscito il volume Science and Art. The Contemporary Painted Surface, a cura di Antonio Sgamellotti, Brunetto Giovanni Brunetti e Costanza Miliani, pubblicato dalla britannica Royal Society of Chemistry. Il progetto, di quasi 550 pagine suddivise in 23 capitoli, traccia un percorso delle forme artistiche…
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fivewordsforthefuture published a new interviews to Marta de Menezes. Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University…
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Italiano [English below] Alla fine di Novembre 2015 sono stato invitato a Mosca, al National Center for Contemporary Arts, per partecipare al simposio “Limits of the Human: Human, Inhuman, Overhuman, Antihuman”, curato da Dmitry Bulatov e Madina Tlostanova, che ha visto intervenire, oltre ai curatori, Richard Doyle, Victor Vakhshtain, Jens Hauser,…
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[ITA] È uscito da poco per i tipi di CLUEB, nella collana <mediaversi> coprodotta da Noema, il volume di Eduardo Kac, Telepresenza e Bioarte. Interconnessioni in rete tra conigli, umani e robot, l’edizione italiana di quello che può essere considerato il suo libro più celebre, Telepresence & Bioart. Ho avuto il piacere di…
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On November 24-27 I was invited to participate to the conference “Die, and become! Art and Science as Conjectured Possible”, held in Gdańsk, Poland, at Łaźnia Centre for Contemporary Art. The conference was part of an exhibition, all the events were curated by Dmitry Bulatov and coordinated by Jolanta Woszczenko. My introducing keynote…
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[ITA] Ho partecipato, con il testo “Bio-Arts. Les arts de l’essence de la vie”, al dossier tematico “Arts&Sciences” del magazine mcd – Magazine des Cultures Digitales, n. 81, Marzo / Aprile / Maggio 2016, numero realizzato grazie al sostegno del ministero della Cultura e della Comunicazione francese, invitato dalla curatrice Annick Bureaud. [FRA] J’ai participé avec…
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On November 27-28, 2015, at the National Centre for Contemporary Arts (NCCA) in Moscow I participated, with a presentation entitled “The evolving human inheritance. From symbols to life”, to the symposium “Limits of the Human: Human, Inhuman, Overhuman, Antihuman”, curated by Dmitry Bulatov and Madina Tlostanova (here the brochure). The symposium was…
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[ITA] All’inizio di Ottobre ho presentato il paper “New Evolving Lifeforms. The Third Life” a “NeoLife SLSA 2015” (1-3 October 2015), Conferenza Internazionale a cura di Oron Catts e Symbiotica, che si è tenuta nel bellissimo Crawley campus dell’Università dell’Australia Occidentale (UWA) a Perth e che ha visto un’ampia partecipazione internazionale. [ENG] Early October…
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It has just been published, both in Russian and English, the book edited and curated by Dmitry Bulatov Evolution Haute Couture: Art and Science in the Post-Biological Age. Part 2: Theory, Kaliningrad, BB NCCA, 2013. The volume, that contains an essay of mine, is a wide attempt to represent the contemporary theoretical panorama about the influence that the “new sciences”…
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I have been invited to give a lecture at “Kibla 2012, Soft Control: Art, Science and the Technological Unconscious“, an exhibition and a symposium curated by Dmitry Bulatov that will take place in next November in Maribor, Slovenia, European Capital of Culture 2012. As the website states, “the exhibition showcases…
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I’m proud to announce that Gianna Maria Gatti’s book L’Erbario Tecnologico (Bologna, Clueb, 2005) has been translated into German (Das Technologische Herbarium, Berlin, Avinus Press, 2012), after being translated into English (The Technological Herbarium, Berlin, Avinus Press, 2010). Gianna Maria was one of my best alumni and I was the…
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This year’s Ars Electronica events took place again in its historical place, the Brucknerhaus, while the last year they were at the Tabakfabrik. “How does innovation come about? The 2011 Ars Electronica Festival – ORIGIN – How It All Begins – delves into this elementary question, scrutinizing both science and…
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I was invited to deliver a lecture at the International Conference SEAFair (Skopje Electronic Arts Fair) 2010 – “The Apparatus of Life & Death”, October 4-20, Skopje, organized by the Visual and Cultural Research Center at the Institute for Social sciences and Humanities of the Euro-Balkan Institute and curated by…
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Roberta Buiani attended in Riga two joint events: “Textures,” the sixth European meeting of the society for literature, science and the arts, as well as Art + Communication, the 12th International Festival of New Media Culture Riga, June 15 – 20. The events culminated in the major exhibition “Transbiotics. Temporal…
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Pier Luigi Capucci, Simonetta Simoni (a cura di), Arte e complessità, Noema, 2018, eBook
Pier Luigi Capucci, Realtà del virtuale. Rappresentazioni tecnologiche, comunicazione, arte, Noema, 2015, eBook/print
Pier Luigi Capucci, Arte & tecnologie. Comunicazione estetica e tecnoscienze, Noema, 2013, eBook (PDF, epub, mobi)
